The language in Moby Dick is absolutely gorgeous. Herman Melville employs intricate
metaphors and analogies in order to paint a vivid image in the mind of the
reader. Melville makes excellent use out of them when he is berating institutional
fallacies, like those found in religion, describing the gory capture of a whale,
and even when comparing God to the sea. The ocean and all the life within are
constantly being personified. One particular focus of Melville’s beautiful
rhetoric is concerning sharks.
When comparing land creatures to sea
creatures, Ishmael can only say that “the accursed shark alone can in any
generic respect be said to bear comparative analogy to [the dog]” (Melville,
224). Dogs are often amiable servants to humans; domesticated pets. But at the
same time a feral dog can be voracious and food bowl aggressive just like a
shark. The association between the two alludes to their connection with humankind.
While the whale that was caught by Stubb
is suspended next to the ship, a scene is illustrated to describe the
aforementioned voracity of sharks. Looking down over the edge of the ship, “amid
all the smoking horror and diabolism of a sea-fight, sharks will be seen
longingly gazing up to the ship’s decks, like hungry dogs round a table where
red meat is being carved, ready to bolt down every killed man that is tossed to
them” (Melville, 237). This unforgiving nature of the sharks sets them up as
hungry animals ready to devour anything thrown to them.
Melville compares the carving up of the
whale as “a shocking shark business enough for all parties” (Melville, 237). Now
this play on words likens the whalers to sharks as they are both tearing pieces
from the dead whale. The characteristics between sharks and humans are directly
linked by this passage and connotes an animalistic, violent tone to the whaler’s
occupation.
Another interesting scene was when Stubb
is eating his whale steak and orders the cook to give a sermon to the sharks.
In the sermon the cook reasons that “you is sharks, sartin; but if you gobern
de shark in you, why den you be angel; for all angel is not’ing more dan de
shark well goberned” (Melville, 238). In the pages previous, man has been metaphorically
compared to sharks by their nature. The cook’s statement while literally
reprimanding the sharks, is saying the same thing about humans. All humans that
are well governed and civil are comparative to angels or may even have the
opportunity to become one. This direct comparison is further proven when the
cook makes an inaudible stab at Stubb when he says, “I’m bressed if he ain’t
more of shark dan Mass Shark hisself” (Melville, 240). Melville clearly
believes there is an intricate tie between the nature of man and shark.
All this brings into question whether
man is more of a shark than sharks themselves. And if sharks are evil and
bloodthirsty, then what does that make man?
I had not thought of sharks being a major point in the novel, but you have made a really good point. I think Melville is trying to show that man has the ability to be animalistic. There is no fine line between man and animal. Sharks are by nature vicious creatures, but I wonder whether or not humans are vicious by nature or choice. For instance I would not describe Starbuck to be shark-like, whereas I find it easy to describe Stubbs as so. When you mention that sharks are like dogs I wondered if Melville meant for them to have a “master” of some kind; an invisible hand directing their actions in a way.
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