Thursday, September 13, 2012

A Christian, a Cannibal, and a Whale...



            Herman Melville’s novel Moby Dick is littered with satirical elements. His humorous rants constantly deride many different institutions, especially religious institutions, and invite the rebuke of critics everywhere.
The relationship between Ishmael and Queequeg is a fine example of the irony Melville utilizes to mock Christianity and those who are single-minded in their cultural studies. “Chapter 10: A Bosom Friend” is one instance of many where the contrast between a pagan cannibal and a white Christian is used to create controversy. Ishmael in this chapter uses a series of questions and circular logic to arrive at the decision that it is alright to worship Queequeg’s pagan idol. This blasphemous logic as the footnote brings out, “stirred up the wrath of Presbyterians and other evangelistic Protestants” (Melville, 57). It is interesting that Melville included this symbolic belittlement most likely knowing full well how it would be received by one of the most powerful corporations in the world, religion. The footnote recognized that more than anything else the conflict with the religious press is what tainted his writing career.
Even though it does not include the relationship between Ishamel and Queequeg, “Chapter 32: Cetology” also contains satirical humor that rejects the common scientific grounds for defining and categorizing whales. He purposefully ignores the obvious characteristics of whales and imagines up a categorical system that is similar to organizing books. This attempt at humor is just another example of Melville making a crack at an institution of the day.
            The scene where Ishmael and Queequeg first meet is very comical. The first interaction between the two is in bed where Ishmael panics, being afraid that the cannibal would do him harm. He then proceeds to say that it is “better sleep with a sober cannibal than a drunken Christian” (Melville, 36). This is a fairly ironic thing to say as he is contemplating getting back into bed with Queequeg and he himself claims to be a Christian.
            Besides Melville’s comment on religion I find it particularly hilarious that he included such intimate metaphors to describe the relationship between the odd pair. Queequeg and Ishmael lay in bed together, “a cosy, loving pair” (Melville, 57). This also might further taunt the Christian readers due to the fact that homosexuality was strictly taboo in American culture and religion, more so in that time than now.
            As the friendship between them becomes stronger, the critics seem to become a little more agitated with Melville’s work. With only part of the book read, there seems to be a good chance that Melville will choose to continue his ridicule of religion and other institutions.

1 comment:

  1. The irony of Melville's work is something I really appreciate because a lot of the time his writing seems overly introspective. It's interesting to note how he points out the hypocrisy of modern day elitists in such a subtle way, instead of just going all out and criticizing every inconsistent belief people held during his time. Sometimes I feel like Melville is trying too hard to make a point, and that is why I tend to shy away from literature like Moby-Dick. And yet, there really are times where I read a passage and realize the weight of its truth. I just wish he didn’t have to write in such a convoluted manner, although I understand some genres presented in the novel are inherently ambiguous in nature. Still, you would think Melville wants people to understand his craftsmanship… right?

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